Streaming The Look of Love 2013 Film!

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Streaming in HD The Look of Love (2013)

• MOVIE page: The Look of Love (2013)
• Rate: 6.2/10 total 543 votes 
• Genre: Biography | Comedy | Drama
• Runtime: 101 min
• Filming Location: UK
• Director: Michael Winterbottom
• Stars: Imogen Poots, Anna Friel, Tamsin Egerton | See full cast and crew
• Original Music By: Antony Genn  Martin Slattery   
• Sound Mix: Dolby Digital

Writing Credits By:

• Matt Greenhalgh (screenplay)

     

Plot: The life of Paul Raymond, the controversial entrepreneur who became Britain's richest man. |  »

Story: The life of Paul Raymond, the controversial entrepreneur who became Britain's richest man.

Produced By:

• Jenny Borgars known as executive producer
• Katherine Butler known as executive producer
• Alice Dawson known as co-producer
• Andrew Eaton known as executive producer
• Josh Hyams known as co-producer
• Amy Jackson known as line producer
• Aileen McIntosh known as post producer
• Norman Merry known as executive producer
• Melissa Parmenter known as producer
• Danny Perkins known as executive producer
• Tessa Ross known as executive producer
• Piers Wenger known as executive producer

FullCast & Crew:

• Imogen Poots known as Debbie Raymond
• Anna Friel known as Jean Raymond
• Tamsin Egerton known as Fiona Richmond / Amber
• Stephen Fry known as Barrister
• Steve Coogan known as Paul Raymond
• Shirley Henderson known as Rusty Humphries
• Matt Lucas known as Divine
• Simon Bird known as Jonathan Hodge
• David Walliams known as Vicar Edwyn Young
• June Smith known as Wedding Guest for Groom
• Chris Addison known as Tony Power
• Vera Filatova known as Monika
• Matthew Beard known as Howard Raymond
• Kieran O'Brien known as Jimmy Humphries
• Peter Wight known as Police Inspector
• James Lance known as Carl Snitcher
• Emily Berrington known as Clare
• Miles Jupp known as Interviewer
• Sarah Solemani known as Anna
• Paul Popplewell known as Journalist
• Liam Boyle known as Derry
• Dara O'Briain known as Comedian
• Chris Cowlin known as Punter
• Lee Nicholas Harris known as Strip Club Customer
• Stuart Matthews known as Theatre Patron
• Chonradee Kulthap known as Pub Customer
• Daniel Harland known as Businessman
• John Duggan known as Club Punter
• Hannah Blamires known as Window Shopper
• Scott Stevenson known as Husband in Theatre
• Santi Scinelli known as Theatre Guest
• Greg Bennett known as Paparazzi
• Tom Swacha known as Restaurant Guest
• Matthew David McCarthy known as TV Cameraman
• Catherine Delaloye known as Theatre Attendee
• Pablo Bubar known as Young Tourist - 1970s
• Richard Herdman known as Paparazzi
• Eddie Ruben known as Japanese Businessman
• David Fynn known as Interviewer (Related Values)
• Eaoifa Forward
• Lenka Josefiova known as Waitress
• Celine Jedidi known as Wedding Guest
• Craig Izzard known as 1970s Groovy Raver
• Hannah Lederer known as Kate
• Adam Prickett known as Theatre Guest
• Sarine Sofair known as Yvonne
• Zara Symes known as Marlene
• Junichi Kajioka known as Japanese Businessman
• Clive Aitkins known as Club Punter
• Jensen Freeman known as Jonathan
• Chris Luca known as Waiter
• Victoria Sviggum known as 1950s waitress
• Alex Moore known as 70's Doorman
• Mark Tristan Eccles known as 1958 REVUE Patron
• Raymond Waring
• Benjayx Murphy known as Pedestrian / Soho Press
• Sam Cox known as Surgeon
• Frans Isotalo known as Club Manager Franz
• Tina Tancakova known as Woman at Bar
• Clare Langford known as Reporter
• Shaun Lucas known as News Reporter
• Ian Floodgate known as Journalist
• Annie Tanton known as Restaurant Guest
• Dale Mercer known as Fran's Assistant
• Lucy Jubb known as Waitress
• Martyn Mayger known as Reporter
• Mike Parish known as Himself
• Tom Stuart known as Ainslie Tree
• Kent Olesen known as Leonard
• Matthew David Hearn known as Restaurant Diner
• Paul Hughes known as Club Customer
• Peter Stefaniak known as 90's Doorman
• Jody Lee Harris known as Kay
• Shireen Ashton known as Disco Dancer
• Darren Tough known as News Reporter
• Amanda Smith known as Nightclub guest
• Jon Wennington known as Wedding Guest
• Julie Vollono known as Theatre patron
• Chloe Arrowsmith known as Chloe
• Betsy Rose known as Betsy / ShowGirl
• Lesley Sim known as Nightclub Guest
• Ignacio Guirado known as Clubber
• Katie Derry known as 1950s showgirl and nude fan dancer
• Fabio Vollono known as Nightclub patron
• Jon Lee Morris known as Revue Bar Patron
• Millicent Binks known as Tilly
• Haylan Hall known as Nurse (as Haylan Peters)
• Annabel Norbury known as Barbara Lovell
• Melissa Hollett known as Court Coroner
• Holly Cofield known as Honey
• Tabitha Taboo known as 1950s Showgirl
• Richard Baker known as Wedding Guest
• Amaranthe Partridge known as Couple
• Tara Griffin known as Waitress
• Annette Kellow known as Starla
• Caroline Amer known as Revue Dancer
• Mikko Vartiainen known as Soho Street Boy
• Francesca Cherruault known as Waitress
• Len Visser known as Restaurant Patron
• Grant Crookes known as Punter
• Jennifer Gardiner known as 1950s Waitress
• Jade Phipps known as Nude fan dancer
• Martha Grace known as Sarah
• James a FitzGerald known as 80's Doorman
• Faye Sewell known as Theatre Performer- Gloria
• Phillip Gormley known as Business man
• Ayse Ferguson known as Restaurant Diner
• Nigel Barker known as Press in Court
• Crystal Van Lloy known as Tina
• Tiia Jaakola known as 60's chick
• Dirk Schilling
• Anna-Maria Wiktorsson known as Pedestrian / Pub Customer
• Yusei known as Japanese Businessman
• Simon Porter known as Interview Crew
• Tom Whelehan known as Reporter 50s / Auction viewer 70s / Coroner's gallery 90s
• Shay O'Driscoll known as Pimp
• Karen Cogan known as Laura
• Jeremy Oliver known as Cabaret audience
• Chris Lee known as Chris the Chauffeur
• Andrew Emery known as Publisher No.2
• Louisre Baker known as Rave Bad Girls
• Tommi Murshed-Parish known as Party guest
• Kitty Bang Bang known as Rave Bad Girls
• Mitch Thornton known as Strip club Customer
• Christopher James Barley known as Cocktail Barman (as Chris Barley)
• Amander Jayne Sailsbury known as Rave Bad Girls
• Jeff Longland known as Jeff the Stage Manager
• Charlie Gray known as 70s party goer
• David A. Burt known as Interview Crew
• Matt Wheeler known as Publisher No.1
• Daniel Cannon known as Man on Street
• Johnny Saunders known as Journalist
• Camilla Talarowska known as Woman in restaurant / Pedestrian in the 70s and 90s
• Tony Harrison known as Revue Bar Patron
• Jade Phillipps known as Rave Bad Girls
• Ben Brown known as News Reader No.2
• Nick Wilkinson known as Businessman
• Freya Parsons known as Miss Tree
• Paul Matthews known as Paul - 'Men Only' Editorial Assistant
• Tom Baines Maher known as 1970's / 1990's Pedestrian
• Peter Dewhirst known as Junior Barrister
• Sian Doughty known as Court Coroner
• Paul Castleman known as Lawyer
• Tim Wilcox known as News Reader No.1
• Gwendland Mazullo known as Rave Bad Girls
• Paul Willetts known as Lord Longford
• Marc Sicamois known as 60's Doorman
• Tommy McGuinness known as Clubber
• Graham Showell known as Coroner
• Lasco Atkins known as Wedding Guest (uncredited)
• Shonn Gregory known as (uncredited)
• Darren Hammock known as Restaurant Patron (uncredited)
• Ben Henderson known as Restaurant Patron (uncredited)
• Bill Hurst known as Review Commentater (uncredited)
• Lizzie Rees known as Theatre Guest (uncredited)
• Martin Ross known as Restaurant patron (uncredited)

Production Companies:

• Revolution Films
• Baby Cow Films (in association with)
• Film Four (presents)
• Lipsync Productions

The Look of Love (2013) Review by jonrosling from United Kingdom

Paul Raymond, the Grand Master of 70s pornography and the selfproclaimed King of Soho, is the central character in this biopic byMichael Winterbottom, based on Paul Willets book, Men Only - and yetWinterbottom's film is as much about the people around Paul Raymond asit is about the man himself.

The film begins with Paul Raymond - played here by a superb SteveCoogan - mourning the evident loss of his daughter Debbie, reflectingon his life and relationship with her via an old video recording.Hounded by the media outside his Mayfair penthouse he is a shadow ofwhat he once was, grey, tired, backlit. The film then flashes back tothe humble almost-beginnings of Paul Raymond, telling in turn eachsignificant phase of his life and success - from the era of the RaymondRevue Bar and the notorious (but unsurprisingly successful) PyjamaNights theatre show right through to his later success with the MenOnly magazine.

Winterbottom and his production designers capture beautifully thedesign aesthetic of the era - the penthouse flat, which Raymond bragswas designed for him by Ringo Starr, is particularly noteworthy - andtogether with the excellently chosen soundtrack and crispcinematography capture a real sense of the colour and hedonism at theheart of this man's life in the 1960s, 1970s and beyond. In fact thestyle, design and structure of the film reminded me very much of bothBoogie Nights and Goodfellas.

Coogan is on top form, and while some people many see his performanceat Paul Raymond as just a pastiche of Alan Partridge, I for one don't.For in the same way that the well known and well loved radio journalistfrom Norwich is something of an alter ego for Coogan, the idea of PaulRaymond himself is just an act, a face that the man wears for thepublic (and often for his private life). From the outset when wediscover that his real name is Geoffrey Quinn we see a man who isforever hiding behind something, keen to portray himself as somethingvery different to his real existence. His ignorance of both hislegitimate and illegitimate sons; his outwardly normal and happyrelationships with women(which both eventually break down); histwisting of words and meaning to justify his business - here is a manwho spends his life stripping away the veneer of respectability inpublic life with exhibitions of voyeurism and pornography and yet onewho keeps his own very private and personal existence hidden from view,the only seemingly genuine emotion and touching moment when he Streamingesold video footage of his daughter. Despite the hordes of women, despitethe money, despite the power Paul Raymond never seems genuinely happy.Everything is a mask for a hollowness that is only filled ultimately bythe presence of his daughter.

Imogen Poots pushes to the fore as Raymond's wayward daughter Debbie.The film is as much about the destructive life she leads than that ofher father - in fact you could see her downfall as paying the price forhis father's sins. Encouraged into areas where she had no talent(Imogen Poots off-key singing was at the same time humorous and tragic)and tempted by the drugs and easy-to-sleazy lifestyle around her fatherit is inevitable that it would be she who's fragility and delicacy istorn apart. The only character for whom Paul Raymond feels any lastingemotion is the one character he drives to the edge of destruction,ultimately Streaminging as she crashes and burns over the edge.

The actress plays the part masterfully and I choose the words"fragility" and "delicacy" quite deliberately - she manages to neverloose that school girl naivety and innocence, even when playing Debbieat a much older age. It's quite an affecting turn from Imogen Poots,who's talent and beauty will surely mark her out as a very big star inthe future.

Other cast members are also effective - Chris Addison as the somewhatslimy Tony Power; Anna Friel as Raymond's first wife Jean; TamsinEgerton as the club dancer with whom he runs off. There are also aseries of cameo performances from familiar faces that give this film agenuinely British feel, of the like normally associated with older,classic British movies. Perhaps it's the accompanying soundtrack anddesign styles in play but this feels like The Italian Job, or Alfie; orBlow-Up. Simon Dee wouldn't look out of place driving off in his sportscar with a blonde in the passenger seat (in fact there is something ofa homage to the credits of his 1960s TV show Dee Time in the film).

I was fortunate enough to see this at an advance screening of the filmat the Bradford International Film Festival, where the screenwriterMatthew Greenhalgh fielded questions from the audience. Challengedabout the sexual politics of both the film and pornography in generalGreenhalgh seemed somewhat overwhelmed.

But this isn't a film about feminism, or the rights and wrongs ofpornography and its politics. The film-makers are showing us aclassical tale of rise and fall, and of how even someone whoessentially uses people for the pleasures of others can still have theredeeming feature of love, even if he doesn't realise it until it isfar too late. This film is not just about Paul Raymond's life andcareer but also about his relationship with his daughter and how shewas ultimately sacrificed to the lifestyle he chose. I'm sure there isa film about the politics of pornography in this story but to haveentertained us with it wouldn't have been half as interesting - orsuccessful as I feel this film ultimately is.

The Look of Love (2013) Review by Red-Barracuda from Edinburgh, Scotland, UK

Michael Winterbottom and Steve Coogan team up again. They hadpreviously combined to great effect in 24 Hour Party People and A Cockand Bull Story. It has to be said that, while this is a good enoughfilm, it pales in comparison with those other two. Perhaps the mainreason for this is, unlike Tony Wilson from 24 Hour Party People, themain character here isn't very sympathetic at all. Steve Coogan playsPaul Raymond in a similar bumbling way but it doesn't seem as true tocharacter here. Coogan is still good, don't get me wrong, but he seemsmore on auto-pilot than usual. On paper the cast is really good. It's awho's who of British comedians and comic actors. In practice though,most of them have blink and you'll miss them roles, which was kind ofunfortunate. Of the ones who do have bigger parts Chris Addison playsperhaps the least admirable character in the story, Men Only editorTony Power, a man also with a truly appalling beard. Also Anna Friel isgood as Raymond's long suffering wife.

It's a biopic about the porn baron Paul Raymond. But curiously, itlacks a bit of drama. Raymond has already made it when the story beginsand the rest just adds further details such as the creation of Men Onlymagazine or specifics on personal relationships like with FionaRichmond. Perhaps the main concurrent storyline is about his daughterwho ended up dying of a drug overdose, this plot strand is the only onethat provides any emotional fall for the central character. Raymondseems to have been a hopeless father, allowing his daughter to takecocaine with little concern and being entirely ambivalent to theexistence of his first son. He is also a terrible husband and generallya somewhat sleazy individual. He isn't likable but not horrendousenough to be a great anti-hero.

The Look of Love sometimes feels like an attempt at a British BoogieNights. It's stylised enough and similarly has a soundtrack thatreflects the times. But it doesn't have the energy and fun of thatmovie. It does have a lot of nudity though that much is for sure. Ofespecial note on that front is a scene where Anna Friel is photographedwhile in a bubble bath. She looked pretty fantastic it has to be said.The sexiest moment in a film that doesn't really have very many despitethe subject matter. In fairness, this is a good film; just one that Ithought would be better considering the personnel involved.

The Look of Love (2013) Review by Chris Martin from United Kingdom
I didn't know what to expect from The Look of Love. I like Steve Cooganso gave it a shot. In my opinion it's well worth a Streaming.

The film is a biopic about Paul Raymond played fantastically by SteveCoogan. For those unfamiliar, like I was before seeing TLOL, PaulRaymond was an entrepreneur who owned a lot of property and strip clubsin London and was at one point Britain's richest man. It's amazing howsuch a rich guy can go so unheard of, with people my age anyway, yethave such a big empire in London just years ago. S'pose they're notgoing to teach you about the strip clubs and nudey plays in second yearhistory at school. It made for some really interesting Streaminging.

And not because of the more or less constant boobs in case that's whereyour mind immediately went there. There is admittedly more graphicnudity in this film than I've ever seen in a film ever but becausethere is so much of it you kind of get used to it. The novelty of 'teehee, boobies' fades away pretty quick to make way for a prettyfascinating life story.

My journalism lecturer always said there's nothing more interestingthan writing about a famous person 'on the slide' out of fame and powerand there's certainly a lot of 'sliding'here. He lives such anextravagant lifestyle with the drugs and ever changing woman you knowit'll all catch up with him some day. The whole second half that looksat the unusual relationship between him and his spoilt daughter ispretty captivating. To give you a taste of what their relationship islike, there's a scene where Paul catches his daughter snorting coke.Instead of telling her off and getting angry he insists she mustn'tjust buy her drugs off the street and to only do the very best. It's alook into a life of excess and irresponsibility which makes for anintriguing Streaming.

There are a lot of British actors , mostly comedians, in thefilm.There's actually so many big British names it's almostdistracting. There's Coogan obviously who naturally steals the show.But then there's cameos from Stephen Fry, Simon Bird, David Walliams,Matt Lucas, Dara O'Briain - the list goes on. All do a good job, evenif some are only in it for a matter of seconds, but celebrities likeDara O'Briain don't really come across as fully fledged characters. Itjust takes you out the film for a few seconds and makes your brainannounce 'oh look, it's him from Mock The Week'.

I don't like to talk about cinematography too much as I'm a completenovice but I could tell it's good here. Parts where they talk aboutPaul Raymond's men-only magazine feel like you're actually flickingthrough a 70s style dirty mag. The fashion of the time is veryprominent with bright zig-zagging colours in his clubs and housessucking you into the era nicely.

It might not be for everyone is a possible problem- 3 people walked outof our screen halfway through due to what I assume was it's increasingamount of graphic porn scenes. Similarly big action, life changingdrama fans may feel a little underwhelmed. If you show a bit ofinterest and follow the relationship between Raymond and his daughterhowever you'll find this film to be a surprising little gem.

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